Andrea del Sarto

b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.


       Prev  37  38  39  40  41  42  43  44  45  46   Next
  Prev Artist       Next Artist     

   
    

Andrea del Sarto Pieta with Saints oil


Pieta with Saints
Painting ID::  79718
Pieta with Saints
between 1523(1523) and 1524(1524) Medium Oil on wood cyf
   
   
     

Andrea del Sarto Portrait of Baccio Bandinelli oil


Portrait of Baccio Bandinelli
Painting ID::  79877
Portrait of Baccio Bandinelli
1st half of 16th century Oil on canvas Height: 59 cm (23.2 in). Width: 43 cm (16.9 in). cjr
   
   
     

Andrea del Sarto St James oil


St James
Painting ID::  80092
St James
between 1528(1528) and 1529(1529) Oil on canvas Height: 159 cm (62.6 in). Width: 86 cm (33.9 in). cjr
   
   
     

Andrea del Sarto Beweinung Christi oil


Beweinung Christi
Painting ID::  80972
Beweinung Christi
Deutsch: um 1519/1520 English: c. 1519/1520 Medium Deutsch: Öl auf Pappelholz cyf
   
   
     

Andrea del Sarto Der jugendliche Johannes oil


Der jugendliche Johannes
Painting ID::  80999
Der jugendliche Johannes
Deutsch: um 1520-1530 English: c. 1520-1530 Medium Oil on canvas cyf
   
   
     

       Prev  37  38  39  40  41  42  43  44  45  46   Next
Prev Artist       Next Artist     

     Andrea del Sarto
     b.July 16, 1486, Florence d.Sept. 28, 1530, Florence Italian Andrea del Sarto Galleries Andrea del Sarto (1486 ?C 1531) was an Italian painter from Florence, whose career flourished during the High Renaissance and early-Mannerism. Though highly regarded by his contemporaries as an artist "senza errori" (i.e., faultless), he is overshadowed now by equally talented contemporaries like Raphael. Andrea fell in love with Lucrezia (del Fede), wife of a hatter named Carlo, of Recanati; the hatter dying opportunely, Andrea married her on 26 December 1512. She has come down to us in many a picture of her lover-husband, who constantly painted her as a Madonna and otherwise; even in painting other women he made them resemble Lucrezia. She was less gently handled by Giorgio Vasari, a pupil of Andrea, who describes her as faithless, jealous, and vixenish with the apprentices; her offstage character permeates Robert Browning's poem-monologue "Andrea del Sarto called the 'faultless painter'" (1855) . He dwelt in Florence throughout the memorable siege of 1529, which was soon followed by an infectious pestilence. He caught the malady, struggled against it with little or no tending from his wife, who held aloof, and he died, no one knowing much about it at the moment, on 22 January 1531, at the comparatively early age of forty-three. He was buried unceremoniously in the church of the Servites. His wife survived her husband by forty years. A number of paintings are considered to be self-portraits. One is in the National Gallery, London, an admirable half-figure, purchased in 1862. Another is at Alnwick Castle, a young man about twenty years, with his elbow on a table. Another youthful portrait is in the Uffizi Gallery, and the Pitti Palace contains more than one.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings