CERQUOZZI, Michelangelo

Italian Baroque Era Painter, ca.1602-1660 Italian painter. He was a painter of bambocciate (low-life subjects), battles, small religious and mythological works and still-lifes. He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina and spent his entire life in his native city. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome's pro-Spanish political faction (Haskell). Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career.


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CERQUOZZI, Michelangelo Dawn oil


Dawn
Painting ID::  62065
Dawn
mk276 1520 marble sculpture years Medici Chapel in Florence
   
   
     

CERQUOZZI, Michelangelo Street Scene in Rome - Oil on canvas oil


Street Scene in Rome - Oil on canvas
Painting ID::  62370
Street Scene in Rome - Oil on canvas
58 x 69 cm Private collection Author: CERQUOZZI, Michelangelo Title: Street Scene in Rome , 1601-1650 , Italian Form: painting , genre
   
   
     

CERQUOZZI, Michelangelo Eleazar oil


Eleazar
Painting ID::  62932
Eleazar
1511-12 Fresco, 215 x 430 cm Cappella Sistina, Vatican "Eliud begat Eleazar. Eleazar begat Matthan. Matthan begat Joseph." (Matthew 1:15) Eleazar, father of Matthan is generally believed to be the young man on the right. His head is seen in profile, and he appears to be immersed in his thoughts. Behind him are visible the heads of a woman and a child. In the left part of the lunette, Matthan, in the background, seems to be turning with an expression of astonishment or apprehension toward his wife, who, seated and seen in profile, plays with the child Jacob, who frisks on her knee. This lunette was probably the first to be frescoed by Michelangelo. Artist: MICHELANGELO Buonarroti Painting Title: Eleazar - Matthan , 1501-1550 Painting Style: Italian , , religious
   
   
     

CERQUOZZI, Michelangelo Michelangelo Caravaggio 068 oil


Michelangelo Caravaggio 068
Painting ID::  67460
Michelangelo Caravaggio 068
Title Deutsch: Rosenkranzmadonna, Detail Year 1606-1607
   
   
     

CERQUOZZI, Michelangelo Michelangelo Caravaggio 071 oil


Michelangelo Caravaggio 071
Painting ID::  67463
Michelangelo Caravaggio 071
Year ca. 1606-1607 Technique Oil on poplar Dimensions 90.5 X 116 cm (35.63 X 45.67 in)
   
   
     

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     CERQUOZZI, Michelangelo
     Italian Baroque Era Painter, ca.1602-1660 Italian painter. He was a painter of bambocciate (low-life subjects), battles, small religious and mythological works and still-lifes. He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina and spent his entire life in his native city. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome's pro-Spanish political faction (Haskell). Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career.

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