Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro The Raolway Bridge at Pontoise oil


The Raolway Bridge at Pontoise
Painting ID::  81061
The Raolway Bridge at Pontoise
Date 1873(1873) Medium Oil on canvas Dimensions 50 x 65 cm (19.7 x 25.6 in) cjr
   
   
     

Camille Pissarro Pontoise oil


Pontoise
Painting ID::  81448
Pontoise
Date 1867(1867) Medium Oil on canvas Dimensions 81.5 x 100 cm (32.1 x 39.4 in) cjr
   
   
     

Camille Pissarro Threshing Machine oil


Threshing Machine
Painting ID::  81809
Threshing Machine
Threshing Machine cjr
Threshing_Machine cjr
   
   
     

Camille Pissarro Kew greens oil


Kew greens
Painting ID::  81979
Kew greens
Date 1892(1892) Medium Oil on canvas cjr
Date_1892(1892) _ Medium_Oil_on_canvas _ cjr
   
   
     

Camille Pissarro Conversation oil


Conversation
Painting ID::  82139
Conversation
Date ca. 1881(1881) Medium Oil on canvas Dimensions 65.3 x 54 cm (25.7 x 21.3 in) cjr
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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