Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Strabe von Louveciennes oil


Strabe von Louveciennes
Painting ID::  88171
Strabe von Louveciennes
1872(1872) Medium Oil on canvas Dimensions 60 x 72,5 cm cjr
   
   
     

Camille Pissarro The Road to Versailles oil


The Road to Versailles
Painting ID::  88803
The Road to Versailles
1871(1871) Medium Oil on canvas Dimensions 33 x 46 cyf
   
   
     

Camille Pissarro Avenue de l'Opera oil


Avenue de l'Opera
Painting ID::  89015
Avenue de l'Opera
1898(1898) Medium Oil on canvas Dimensions Deutsch: 73 x 92 cm cjr
   
   
     

Camille Pissarro Die Kuche in Piettes Haus, Montfoucault oil


Die Kuche in Piettes Haus, Montfoucault
Painting ID::  89370
Die Kuche in Piettes Haus, Montfoucault
ca. 1874 Medium oil on wood cjr
ca._1874 _ Medium_oil_on_wood _ cjr
   
   
     

Camille Pissarro Dorfeingang von Voisins oil


Dorfeingang von Voisins
Painting ID::  89458
Dorfeingang von Voisins
1872(1872) Medium oil on canvas Dimensions 46 x 55 cm cjr
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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