Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Marzsonne oil


Marzsonne
Painting ID::  89724
Marzsonne
1875(1875) Medium oil on canvas Dimensions Deutsch: 55 x 92 cm cjr
   
   
     

Camille Pissarro Faschingsdienstag auf dem Boulevard Montmartre bei Sonnenuntergang oil


Faschingsdienstag auf dem Boulevard Montmartre bei Sonnenuntergang
Painting ID::  89727
Faschingsdienstag auf dem Boulevard Montmartre bei Sonnenuntergang
1897(1897) Medium oil on canvas Dimensions 54 x 65 cm (21.3 x 25.6 in) cjr
   
   
     

Camille Pissarro Ernte oil


Ernte
Painting ID::  89865
Ernte
1876(1876) Medium oil on canvas Dimensions 65 x 92 cm cjr
   
   
     

Camille Pissarro Holzfaller oil


Holzfaller
Painting ID::  90249
Holzfaller
1878(1878) Medium oil on canvas Dimensions 54 x 65 cm cjr
   
   
     

Camille Pissarro Fog Effect oil


Fog Effect
Painting ID::  90542
Fog Effect
1897(1897) Medium Oil on canvas Dimensions 54 x 66 cm cyf
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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