Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Apple picking at Eragny-sur-Epte oil


Apple picking at Eragny-sur-Epte
Painting ID::  35516
Apple picking at Eragny-sur-Epte
mk103 1888 Oil on canvas 61x74
mk103 1888 Oil_on_canvas 61x74
   
   
     

Camille Pissarro L-lle Lacroix,Rouen oil


L-lle Lacroix,Rouen
Painting ID::  35517
L-lle Lacroix,Rouen
mk103 1887 11.6x15.7
mk103 1887 11.6x15.7
   
   
     

Camille Pissarro L-lle Lacroix,Rouen oil


L-lle Lacroix,Rouen
Painting ID::  35518
L-lle Lacroix,Rouen
mk103 1888 Oil on canvas 46.7x55.9
mk103 1888 Oil_on_canvas 46.7x55.9
   
   
     

Camille Pissarro Hamton Court Green oil


Hamton Court Green
Painting ID::  35519
Hamton Court Green
mk103 1891 Oil on canvas 54.3x73
mk103 1891 Oil_on_canvas 54.3x73
   
   
     

Camille Pissarro Eragny oil


Eragny
Painting ID::  35520
Eragny
mk103 1890
mk103 1890
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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