Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Snow oil


Snow
Painting ID::  57848
Snow
mk259 1882 Oil on canvas years 46 x 55 cm
mk259_1882_Oil_on_canvas_years_46_x_55_cm
   
   
     

Camille Pissarro Hurrying to the landscape oil


Hurrying to the landscape
Painting ID::  57850
Hurrying to the landscape
mk259 1883 Oil on canvas years 71.3 x 92.7 cm
mk259_1883_Oil_on_canvas_years_71.3_x_92.7_cm
   
   
     

Camille Pissarro Rouen A Bend in the River oil


Rouen A Bend in the River
Painting ID::  57852
Rouen A Bend in the River
mk259 1883 Oil on canvas years 46.3 x 55.7 cm
mk259_1883_Oil_on_canvas_years_46.3_x_55.7_cm
   
   
     

Camille Pissarro the riparian oil


the riparian
Painting ID::  57853
the riparian
mk259 1884 Oil on canvas years 54 x 65 cm
mk259_1884_Oil_on_canvas_years_54_x_65_cm
   
   
     

Camille Pissarro Woman and goats oil


Woman and goats
Painting ID::  57854
Woman and goats
mk259 1884 Oil on canvas years 54 x 65 cm
mk259_1884_Oil_on_canvas_years_54_x_65_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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