Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Afternoon sunshine oil


Afternoon sunshine
Painting ID::  57881
Afternoon sunshine
mk259 1887 Oil on canvas years 54.5 x 65 cm
mk259_1887_Oil_on_canvas_years_54.5_x_65_cm
   
   
     

Camille Pissarro Large walnut oil


Large walnut
Painting ID::  57882
Large walnut
mk259 1890 Oil on canvas years 15.5 x 23.5 cm
mk259_1890_Oil_on_canvas_years_15.5_x_23.5_cm
   
   
     

Camille Pissarro Egyptian Raney scenery oil


Egyptian Raney scenery
Painting ID::  57883
Egyptian Raney scenery
mk259 1890 Oil on canvas years 14.5 x 22 cm
mk259_1890_Oil_on_canvas_years_14.5_x_22_cm
   
   
     

Camille Pissarro The fall of the big walnut oil


The fall of the big walnut
Painting ID::  57884
The fall of the big walnut
mk259 1890 Oil on canvas years 38 x 46 cm
mk259_1890_Oil_on_canvas_years_38_x_46_cm
   
   
     

Camille Pissarro Large walnut oil


Large walnut
Painting ID::  57885
Large walnut
mk259 1890 Oil on canvas years 15.5 x 23.2 cm
mk259_1890_Oil_on_canvas_years_15.5_x_23.2_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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