Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Church under the sun oil


Church under the sun
Painting ID::  57937
Church under the sun
mk259 1901 Oil on canvas years 54.5 x 65.5 cm
mk259_1901_Oil_on_canvas_years_54.5_x_65.5_cm
   
   
     

Camille Pissarro Cloudy pier oil


Cloudy pier
Painting ID::  57938
Cloudy pier
mk259 1901 Oil on canvas years 60 x 81 cm
mk259_1901_Oil_on_canvas_years_60_x_81_cm
   
   
     

Camille Pissarro Norwood, oil


Norwood,
Painting ID::  60075
Norwood,
Norwood, National Gallery, London
Norwood,_National_Gallery,_London
   
   
     

Camille Pissarro The garden of Pontoise oil


The garden of Pontoise
Painting ID::  60076
The garden of Pontoise
The garden of Pontoise, painted 1875.
The_garden_of_Pontoise,_painted_1875.
   
   
     

Camille Pissarro San Choi Seoul Man River oil


San Choi Seoul Man River
Painting ID::  60517
San Choi Seoul Man River
mk259 Oil on canvas in 1864 about 24 x 32 cm
mk259_Oil_on_canvas_in_1864_about_24_x_32_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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