Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Peasant oil


Peasant
Painting ID::  35533
Peasant
mk103 1891 23.2x19.4
mk103 1891 23.2x19.4
   
   
     

Camille Pissarro Woman keeling oil


Woman keeling
Painting ID::  35534
Woman keeling
mk103 17.2x21.4
mk103 17.2x21.4
   
   
     

Camille Pissarro Full-length standing nude of a woman from behind oil


Full-length standing nude of a woman from behind
Painting ID::  35535
Full-length standing nude of a woman from behind
mk103 c.1896 47.5x24.3
mk103 c.1896 47.5x24.3
   
   
     

Camille Pissarro Line of bathers oil


Line of bathers
Painting ID::  35536
Line of bathers
mk103 1894-95 13x20
mk103 1894-95 13x20
   
   
     

Camille Pissarro Back view of bather oil


Back view of bather
Painting ID::  35537
Back view of bather
mk103 1894-95 8.8x7.3
mk103 1894-95 8.8x7.3
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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