Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;


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Camille Pissarro Pang map of the railway bridge Schwarz oil


Pang map of the railway bridge Schwarz
Painting ID::  57759
Pang map of the railway bridge Schwarz
mk259 1873 Oil on canvas years 50 x 65 cm
mk259_1873_Oil_on_canvas_years_50_x_65_cm
   
   
     

Camille Pissarro Shore plant oil


Shore plant
Painting ID::  57760
Shore plant
mk259 1873 Oil on canvas years 45.3 x 55 cm
mk259_1873_Oil_on_canvas_years_45.3_x_55_cm
   
   
     

Camille Pissarro Pang plans Schwarz oil


Pang plans Schwarz
Painting ID::  57762
Pang plans Schwarz
mk259 1873 Oil on canvas years 52.7 x 81 cm
mk259_1873_Oil_on_canvas_years_52.7_x_81_cm
   
   
     

Camille Pissarro Hoar frost oil


Hoar frost
Painting ID::  57763
Hoar frost
mk259 1873 Oil on canvas years 65 x 93 cm
mk259_1873_Oil_on_canvas_years_65_x_93_cm
   
   
     

Camille Pissarro Hung housing oil


Hung housing
Painting ID::  57765
Hung housing
mk259 1873 Oil on canvas years 59.4 x 73.3 cm
mk259_1873_Oil_on_canvas_years_59.4_x_73.3_cm
   
   
     

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     Camille Pissarro
     Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

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