Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.


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Canaletto The Dead Christ Supported by an Angel df oil


The Dead Christ Supported by an Angel df
Painting ID::  5689
The Dead Christ Supported by an Angel df
1646-52 Oil on canvas, 178 x 121 cm Museo del Prado, Madrid
   
   
     

Canaletto Eve ffg oil


Eve ffg
Painting ID::  5690
Eve ffg
1666-67 Wood Cathedral, Granada
1666-67 Wood Cathedral,_Granada
   
   
     

Canaletto Immaculate Conception s oil


Immaculate Conception s
Painting ID::  5691
Immaculate Conception s
1648 Oil on canvas Provincial Museum, Vitoria
1648 Oil_on_canvas Provincial_Museum,_Vitoria
   
   
     

Canaletto Descent into Limbo  sdf oil


Descent into Limbo sdf
Painting ID::  5692
Descent into Limbo sdf
c. 1640 Oil on canvas Los Angeles County Museum of Art, Los Angeles
   
   
     

Canaletto Mary f oil


Mary f
Painting ID::  5693
Mary f
1646-50 Oil on canvas, 49 x 43 cm Museum of Fine Arts, Budapest
   
   
     

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     Canaletto
     Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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