Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio The Deposition of Christ oil


The Deposition of Christ
Painting ID::  81089
The Deposition of Christ
The Deposition of Christ, oil on canvas, 1602 - 04, Pinacoteca, Vatican Museums, Vatican City. cjr
   
   
     

Caravaggio Youth with a Ram oil


Youth with a Ram
Painting ID::  83665
Youth with a Ram
ca. 1602(1602). Medium Oil on canvas. Dimensions 132 x 97 cm (52 x 38.2 in). cyf
   
   
     

Caravaggio Deposition of Christ oil


Deposition of Christ
Painting ID::  85151
Deposition of Christ
oil on canvas, 1602 - 04 cyf
oil_on_canvas,_1602_-_04 cyf
   
   
     

Caravaggio Johannes der Taufer oil


Johannes der Taufer
Painting ID::  85567
Johannes der Taufer
1602(1602). Medium Oil on canvas. Dimensions 132 x 97 cm (52 x 38.2 in). cyf
   
   
     

Caravaggio Saint John the Baptist oil


Saint John the Baptist
Painting ID::  86181
Saint John the Baptist
1602(1602). Medium Oil on canvas. Dimensions 132 x 97 cm (52 x 38.2 in). cyf
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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