Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio Nativity with St. Francis and St Lawrence oil


Nativity with St. Francis and St Lawrence
Painting ID::  94802 		Nativity with St. Francis and St Lawrence
1609 Type Oil on canvas Dimensions 268 cm x 197 cm (106 in x 78 in) cyf
   
   
     
Caravaggio Denial of Saint Peter oil


Denial of Saint Peter
Painting ID::  94803 		Denial of Saint Peter
1610 Type Oil on canvas Dimensions 94 cm x 125 cm (37 in x 49 in) cyf
   
   
     
Caravaggio Martyrdom of Saint Ursula oil


Martyrdom of Saint Ursula
Painting ID::  94804 		Martyrdom of Saint Ursula
1610 Type Oil on canvas Dimensions 154 cm x 178 cm (61 in x 70 in) cyf
   
   
     
Caravaggio Rest on the Flight into Egypt oil


Rest on the Flight into Egypt
Painting ID::  95756 		Rest on the Flight into Egypt
circa 1597(1597) Medium oil on canvas cyf
circa_1597(1597)_ Medium_oil_on_canvas_ cyf
   
   
     
Caravaggio Saint John the Baptist oil


Saint John the Baptist
Painting ID::  96761 		Saint John the Baptist
circa 1602(1602). Medium oil on canvas. Dimensions 132 X 97 cm cyf
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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