Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio The Fortune Teller by Caravaggio. oil


The Fortune Teller by Caravaggio.
Painting ID::  92641
The Fortune Teller by Caravaggio.
c. 1594 Medium oil on canvas cjr
c._1594_ Medium_oil_on_canvas _ cjr
   
   
     

Caravaggio David and Goliath oil


David and Goliath
Painting ID::  94789
David and Goliath
1599 Type Oil on canvas Dimensions 110 cm x 91 cm (43 in x 36 in) cyf
   
   
     

Caravaggio Conversion of Saint Paul oil


Conversion of Saint Paul
Painting ID::  94791
Conversion of Saint Paul
1600/1601 Type Oil on cypress wood Dimensions 237 cm x 189 cm (93 in x 74 in) cyf
   
   
     

Caravaggio Saint Matthew and the Angel oil


Saint Matthew and the Angel
Painting ID::  94792
Saint Matthew and the Angel
1602 Type Oil on canvas Dimensions 295 cm x 195 cm (116 in x 77 in) cyf
   
   
     

Caravaggio Ecce Homo oil


Ecce Homo
Painting ID::  94793
Ecce Homo
1605 Type Oil on canvas Dimensions 128 cm x 103 cm (50 in x 41 in) cyf
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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