Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio The young Bacchus oil


The young Bacchus
Painting ID::  53779
The young Bacchus
mk234 1590-first century 94x85cm
mk234_ 1590-first_century_ 94x85cm
   
   
     

Caravaggio Marie dod oil


Marie dod
Painting ID::  53780
Marie dod
mk234 1605/06 370x244cm
mk234_ 1605/06_ 370x244cm
   
   
     

Caravaggio Maltiden in Emmaus oil


Maltiden in Emmaus
Painting ID::  53781
Maltiden in Emmaus
mk234 1600-01 140x195cm
mk234_ 1600-01_ 140x195cm
   
   
     

Caravaggio The entombment oil


The entombment
Painting ID::  55754
The entombment
mk244 300x203cm Oil on canvas Rome
mk244 300x203cm Oil_on_canvas Rome
   
   
     

Caravaggio boy with a basket of fruit oil


boy with a basket of fruit
Painting ID::  56036
boy with a basket of fruit
mk247 c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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