Caravaggio

Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.


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Caravaggio Salome with the Head of St John the Baptist fg oil


Salome with the Head of St John the Baptist fg
Painting ID::  5792
Salome with the Head of St John the Baptist fg
c. 1607 Oil on canvas, 90,5 x 167 cm National Gallery, London
   
   
     

Caravaggio Madonna del Rosario df oil


Madonna del Rosario df
Painting ID::  5793
Madonna del Rosario df
1607 Oil on canvas, 364,5 x 249,5 cm Kunsthistorisches Museum, Vienna
   
   
     

Caravaggio Madonna del Rosario (detail) fdg oil


Madonna del Rosario (detail) fdg
Painting ID::  5794
Madonna del Rosario (detail) fdg
1607 Oil on canvas, width of detail: 64 cm Kunsthistorisches Museum, Vienna
   
   
     

Caravaggio Madonna del Rosario (detail) dsf oil


Madonna del Rosario (detail) dsf
Painting ID::  5795
Madonna del Rosario (detail) dsf
1607 Oil on canvas, width of detail: 64 cm Kunsthistorisches Museum, Vienna
   
   
     

Caravaggio St Jerome dsf oil


St Jerome dsf
Painting ID::  5796
St Jerome dsf
1607 Oil on canvas, 117 x 157 cm St John Museum, La Valletta
   
   
     

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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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