Carl Larsson

Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.


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Carl Larsson gossportratt oil


gossportratt
Painting ID::  66486
gossportratt
pastell pa duk 1892 se
pastell_pa_duk_1892 se
   
   
     

Carl Larsson de mina olja 1892 oil


de mina olja 1892
Painting ID::  66487
de mina olja 1892
se
se
   
   
     

Carl Larsson garden i sundborn oil


garden i sundborn
Painting ID::  66488
garden i sundborn
studie till de mina. olja 1892 se
studie_till_de_mina._olja_1892 se
   
   
     

Carl Larsson karin oil


karin
Painting ID::  66489
karin
studie till de mina .olja 1892 se
studie_till_de_mina_.olja_1892 se
   
   
     

Carl Larsson pioner oil


pioner
Painting ID::  66490
pioner
olja 1892 se
olja_1892 se
   
   
     

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     Carl Larsson
     Swedish Realist Painter, 1853-1919 Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.

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