Carl Wilhelmson

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop


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Carl Wilhelmson juniafton oil


juniafton
Painting ID::  65581
juniafton
1902 se
1902 se
   
   
     

Carl Wilhelmson kyrkogardsporten oil


kyrkogardsporten
Painting ID::  65582
kyrkogardsporten
1903 se
1903 se
   
   
     

Carl Wilhelmson flicka i  blatt oil


flicka i blatt
Painting ID::  65583
flicka i blatt
1904 se
1904 se
   
   
     

Carl Wilhelmson staende fiskare oil


staende fiskare
Painting ID::  65584
staende fiskare
1904-1905 se
1904-1905 se
   
   
     

Carl Wilhelmson pa berget oil


pa berget
Painting ID::  65585
pa berget
1905 se
1905 se
   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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