Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich The Cemetery Gate oil


The Cemetery Gate
Painting ID::  52480
The Cemetery Gate
1825-30 Oil on canvas, 31 x 25 cm
1825-30_Oil_on_canvas,_31_x_25_cm
   
   
     

Caspar David Friedrich Winter Landscape oil


Winter Landscape
Painting ID::  52599
Winter Landscape
1811 Oil on canvas, 33 x 46 cm
1811_Oil_on_canvas,_33_x_46_cm
   
   
     

Caspar David Friedrich Munk on the beach oil


Munk on the beach
Painting ID::  53877
Munk on the beach
mk234 1810 110x170cm
mk234_ 1810_ 110x170cm
   
   
     

Caspar David Friedrich wanderer above the sea of fog oil


wanderer above the sea of fog
Painting ID::  56185
wanderer above the sea of fog
mk247 c.1818,oil on canvas,38.75x29.5 in,98.5x75 cm,hamburger kunsthalle,hamburg,germany
   
   
     

Caspar David Friedrich the stages of life oil


the stages of life
Painting ID::  56208
the stages of life
mk247 1834,oil on canvas,28.375x37 in,72x94 cm,museum der bildenden kunste,leipzig,germany
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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