Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Baume und Straucher im Schnee oil


Baume und Straucher im Schnee
Painting ID::  73833
Baume und Straucher im Schnee
Baume und Straucher im Schnee cjr
Baume_und_Straucher_im_Schnee cjr
   
   
     

Caspar David Friedrich Ausblick ins Elbtal oil


Ausblick ins Elbtal
Painting ID::  73834
Ausblick ins Elbtal
Ausblick ins Elbtal cjr
Ausblick_ins_Elbtal cjr
   
   
     

Caspar David Friedrich Felspartie oil


Felspartie
Painting ID::  73835
Felspartie
Felspartie cjr
Felspartie cjr
   
   
     

Caspar David Friedrich Gartenlaube in Greifswald oil


Gartenlaube in Greifswald
Painting ID::  73855
Gartenlaube in Greifswald
Gartenlaube in Greifswald 1818(1818) cjr
Gartenlaube_in_Greifswald_ _1818(1818) _ cjr
   
   
     

Caspar David Friedrich Hunengrab im Herbst oil


Hunengrab im Herbst
Painting ID::  73858
Hunengrab im Herbst
Hunengrab im Herbst 1820(1820) cjr
Hunengrab_im_Herbst_ 1820(1820) _ cjr
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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