Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich Man and Woman contemplating the Moon oil


Man and Woman contemplating the Moon
Painting ID::  38570
Man and Woman contemplating the Moon
mk138 c.1824 Oil on canvas 34x44cm
mk138 c.1824 Oil_on_canvas 34x44cm
   
   
     

Caspar David Friedrich The Riesengebirge Mountains oil


The Riesengebirge Mountains
Painting ID::  38571
The Riesengebirge Mountains
mk138 c.1830-35 Oil on canvas 72x102cm
mk138 c.1830-35 Oil_on_canvas 72x102cm
   
   
     

Caspar David Friedrich Woman at a Window oil


Woman at a Window
Painting ID::  38572
Woman at a Window
mk135 1822 Oil on canvas 44x37cm
mk135 1822 Oil_on_canvas 44x37cm
   
   
     

Caspar David Friedrich The Garden Terrace oil


The Garden Terrace
Painting ID::  38778
The Garden Terrace
mk141 1811/12 Oil on canvas 53.5x70cm
mk141 1811/12 Oil_on_canvas 53.5x70cm
   
   
     

Caspar David Friedrich Monk by the Sea oil


Monk by the Sea
Painting ID::  40646
Monk by the Sea
mk156 c.1808 Oil on canvas 110x172cm
mk156 c.1808 Oil_on_canvas 110x172cm
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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