Caspar David Friedrich

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.


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Caspar David Friedrich The Cross in the Mountains oil


The Cross in the Mountains
Painting ID::  44157
The Cross in the Mountains
1812 Oil on canvas, 45 x 37 cm
1812_ Oil_on_canvas, _45_x_37_cm
   
   
     

Caspar David Friedrich The Chasseur in the Forest oil


The Chasseur in the Forest
Painting ID::  44158
The Chasseur in the Forest
1814 Oil on canvas, 66 x 47 cm
1814_ Oil_on_canvas,_ 66_x_47_cm
   
   
     

Caspar David Friedrich View of a Harbour . oil


View of a Harbour .
Painting ID::  44159
View of a Harbour .
1815-16 Oil on canvas, 90 x 71 cm
1815-16_ Oil_on_canvas,_ 90_x_71_cm
   
   
     

Caspar David Friedrich Neubrandenburg oil


Neubrandenburg
Painting ID::  44160
Neubrandenburg
c. 1817 Oil on canvas, 91 x 72 cm
c._1817 Oil_on_canvas,_ 91_x_72_cm
   
   
     

Caspar David Friedrich Woman before the Rising Sun oil


Woman before the Rising Sun
Painting ID::  44161
Woman before the Rising Sun
1818-20 Oil on canvas, 22 x 30 cm
1818-20_ Oil_on_canvas, _22_x_30_cm
   
   
     

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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