Correggio

Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.


       Prev  19  20  21  22  23  24  25  26  27  28   Next
  Prev Artist       Next Artist     

   
    

Correggio Danae oil


Danae
Painting ID::  31664
Danae
mk74 161x193cm Roma, Galleria Borghese
mk74 161x193cm Roma, Galleria_Borghese
   
   
     

Correggio Leda oil


Leda
Painting ID::  31665
Leda
mk74 152x191cm Berlin,Gemaldegalerie
mk74 152x191cm Berlin,Gemaldegalerie
   
   
     

Correggio Leda oil


Leda
Painting ID::  31666
Leda
mk74 152x191cm Berlin,Gemaldegalerie
mk74 152x191cm Berlin,Gemaldegalerie
   
   
     

Correggio Io oil


Io
Painting ID::  31667
Io
mk74 163.5x70.5cm Vienna,Kunsthistorisches Museum
mk74 163.5x70.5cm Vienna,Kunsthistorisches_Museum
   
   
     

Correggio Ganymede oil


Ganymede
Painting ID::  31668
Ganymede
mk74 163.5x70.5cm Vienna,Kunsthistorisches Museum
mk74 163.5x70.5cm Vienna,Kunsthistorisches_Museum
   
   
     

       Prev  19  20  21  22  23  24  25  26  27  28   Next
Prev Artist       Next Artist     

     Correggio
     Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Frame Moulding Mirror Framed Stretched Paintings