Cosimo Tura

1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.


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Cosimo Tura The Virgin and Child Enthroned with Angels Making Music oil


The Virgin and Child Enthroned with Angels Making Music
Painting ID::  42893
The Virgin and Child Enthroned with Angels Making Music
mk170 1474-1475 oil and Egg tempera on poplar 239x101.6cm
   
   
     

Cosimo Tura The Muse Erato oil


The Muse Erato
Painting ID::  42894
The Muse Erato
mk170 1459-1463 Oil on poplar 116.2x71.1cm
mk170 1459-1463 Oil_on_poplar 116.2x71.1cm
   
   
     

Cosimo Tura Saint Jerome in the Desert oil


Saint Jerome in the Desert
Painting ID::  42895
Saint Jerome in the Desert
mk170 1475-1480 Oil and egg tempera on poplar 101x57.2cm
   
   
     

Cosimo Tura Triumph of Mercury oil


Triumph of Mercury
Painting ID::  52181
Triumph of Mercury
1476-84 Fresco, 216 x 320 cm
1476-84_Fresco,_216_x_320_cm
   
   
     

Cosimo Tura Allegory of July: Triumph of Jupiter oil


Allegory of July: Triumph of Jupiter
Painting ID::  52182
Allegory of July: Triumph of Jupiter
1476-84 Fresco, 216 x 320 cm
1476-84_Fresco,_216_x_320_cm
   
   
     

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     Cosimo Tura
     1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.

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