DAVID, Gerard

Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,


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DAVID, Gerard Madonna and Child with the Milk Soup dgw oil


Madonna and Child with the Milk Soup dgw
Painting ID::  6391
Madonna and Child with the Milk Soup dgw
c. 1520 Oil on oak, 35 x 29 cm Mus??es Royaux des Beaux-Arts, Brussels
   
   
     

DAVID, Gerard The Rest on the Flight into Egypt sfgs oil


The Rest on the Flight into Egypt sfgs
Painting ID::  6392
The Rest on the Flight into Egypt sfgs
1510 Wood National Gallery of Art, Washington
1510 Wood National_Gallery_of_Art,_Washington
   
   
     

DAVID, Gerard Triptych of Jan Des Trompes  sdf oil


Triptych of Jan Des Trompes sdf
Painting ID::  6393
Triptych of Jan Des Trompes sdf
1505 Oil on wood, 129,7 x 96,6 cm (central panel), 132 x 43 cm (each wings) Groeninge Museum, Bruges
   
   
     

DAVID, Gerard Triptych of Jean Des Trompes (central) sdf oil


Triptych of Jean Des Trompes (central) sdf
Painting ID::  6394
Triptych of Jean Des Trompes (central) sdf
1505 Oil on wood, 127,9 x 96,6 cm Groeninge Museum, Bruges
   
   
     

DAVID, Gerard Triptych of Jean Des Trompes (side panels) dfg oil


Triptych of Jean Des Trompes (side panels) dfg
Painting ID::  6395
Triptych of Jean Des Trompes (side panels) dfg
1505 Oil on wood, 132 x 43,1 cm (each) Groeninge Museum, Bruges
   
   
     

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     DAVID, Gerard
     Netherlandish Northern Renaissance Painter, ca.1460-1523 Netherlandish painter. He is known as the last of the 'Flemish Primitives'. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling,

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