Diego Rivera

Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.


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Diego Rivera Root oil


Root
Painting ID::  44540
Root
mk117 1937 48.3x62cm
mk117 1937 48.3x62cm
   
   
     

Diego Rivera Portrait of Natasha oil


Portrait of Natasha
Painting ID::  44541
Portrait of Natasha
mk117 1943 115x153cm
mk117 1943 115x153cm
   
   
     

Diego Rivera Nude and flower oil


Nude and flower
Painting ID::  44542
Nude and flower
mk117 1943 152.4x116.8cm
mk117 1943 152.4x116.8cm
   
   
     

Diego Rivera Squareman oil


Squareman
Painting ID::  44543
Squareman
mk117 1943 Oil on canvas 30x23
mk117 1943 Oil_on_canvas 30x23
   
   
     

Diego Rivera Portrait of Lucy oil


Portrait of Lucy
Painting ID::  44544
Portrait of Lucy
mk117 1945 100.5x199cm
mk117 1945 100.5x199cm
   
   
     

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     Diego Rivera
     Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.

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