Diego Rivera

Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.


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Diego Rivera Woman of Flapjack oil


Woman of Flapjack
Painting ID::  44545
Woman of Flapjack
mk117 1943 30.5x40cm
mk117 1943 30.5x40cm
   
   
     

Diego Rivera Death-s day oil


Death-s day
Painting ID::  44546
Death-s day
mk117 1944 73.5x101cm
mk117 1944 73.5x101cm
   
   
     

Diego Rivera Worker oil


Worker
Painting ID::  44547
Worker
mk117 1944 23x29cm
mk117 1944 23x29cm
   
   
     

Diego Rivera Portrait of A Family oil


Portrait of A Family
Painting ID::  44548
Portrait of A Family
mk117 1946 180.9x201.9cm
mk117 1946 180.9x201.9cm
   
   
     

Diego Rivera Tempt oil


Tempt
Painting ID::  44549
Tempt
mk117 1947 89.5x110cm
mk117 1947 89.5x110cm
   
   
     

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     Diego Rivera
     Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.

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