Diego Rivera

Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.


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Diego Rivera SunSet oil


SunSet
Painting ID::  44555
SunSet
mk117 1956 30x40cm
mk117 1956 30x40cm
   
   
     

Diego Rivera Portrait of Aomei oil


Portrait of Aomei
Painting ID::  44556
Portrait of Aomei
mk117 1955 200x152cm
mk117 1955 200x152cm
   
   
     

Diego Rivera Dream oil


Dream
Painting ID::  44557
Dream
mk117 1956
mk117 1956
   
   
     

Diego Rivera Glide oil


Glide
Painting ID::  44558
Glide
mk117 1956 Oil on canvas 90x116cm
mk117 1956 Oil_on_canvas 90x116cm
   
   
     

Diego Rivera indian spinning oil


indian spinning
Painting ID::  56550
indian spinning
mk247 1936,oil on canvas,23.5x32 in,60x81.5cm,phoenix art museum,phoenix,az,usa
   
   
     

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     Diego Rivera
     Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.

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