Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Count-Duke of Olivares (df01) oil


Count-Duke of Olivares (df01)
Painting ID::  22518
Count-Duke of Olivares (df01)
1624
1624
   
   
     

Diego Velazquez Don Luis de Gongora y Argote (df01) oil


Don Luis de Gongora y Argote (df01)
Painting ID::  22519
Don Luis de Gongora y Argote (df01)
1622
1622
   
   
     

Diego Velazquez Philip IV,Standing (df01) oil


Philip IV,Standing (df01)
Painting ID::  22520
Philip IV,Standing (df01)
Redone c 1628
Redone_c_1628
   
   
     

Diego Velazquez Infante Don Carlos (df01) oil


Infante Don Carlos (df01)
Painting ID::  22521
Infante Don Carlos (df01)
1628
1628
   
   
     

Diego Velazquez Philip IV in Armour (df01) oil


Philip IV in Armour (df01)
Painting ID::  22522
Philip IV in Armour (df01)
c 1628
c_1628
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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