Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Jose de Ribera (df01) oil


Jose de Ribera (df01)
Painting ID::  22533
Jose de Ribera (df01)
Archimedes (detail) 1630
Archimedes_(detail) 1630
   
   
     

Diego Velazquez Villa Medici in Rome (Pavilion of Ariadne) (df01) oil


Villa Medici in Rome (Pavilion of Ariadne) (df01)
Painting ID::  22534
Villa Medici in Rome (Pavilion of Ariadne) (df01)
1630
1630
   
   
     

Diego Velazquez Villa Medici in Rome (Facade of the Grotto-Logia) (df01) oil


Villa Medici in Rome (Facade of the Grotto-Logia) (df01)
Painting ID::  22535
Villa Medici in Rome (Facade of the Grotto-Logia) (df01)
1630
1630
   
   
     

Diego Velazquez Christ on the Cross (df01) oil


Christ on the Cross (df01)
Painting ID::  22536
Christ on the Cross (df01)
c 1632
c_1632
   
   
     

Diego Velazquez Infanta Dona Maria,Queen of Hungary (detail) (df01) oil


Infanta Dona Maria,Queen of Hungary (detail) (df01)
Painting ID::  22537
Infanta Dona Maria,Queen of Hungary (detail) (df01)
1630
1630
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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