Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez The Forge of Vulcan (df01) oil


The Forge of Vulcan (df01)
Painting ID::  22538
The Forge of Vulcan (df01)
1630
1630
   
   
     

Diego Velazquez Study for the Head of Apollo in The Forge of Vulcan (df01) oil


Study for the Head of Apollo in The Forge of Vulcan (df01)
Painting ID::  22540
Study for the Head of Apollo in The Forge of Vulcan (df01)
1630
1630
   
   
     

Diego Velazquez Joseph's Bloody Coat Brought to Jacob (df01) oil


Joseph's Bloody Coat Brought to Jacob (df01)
Painting ID::  22541
Joseph's Bloody Coat Brought to Jacob (df01)
1630
1630
   
   
     

Diego Velazquez Isabel Clara Eugenia with Magdalena Ruis (df01) oil


Isabel Clara Eugenia with Magdalena Ruis (df01)
Painting ID::  22542
Isabel Clara Eugenia with Magdalena Ruis (df01)
Alonzo Sanchez Coello's student c 1585
Alonzo_Sanchez_Coello's_student c_1585
   
   
     

Diego Velazquez Philip IV in Broun and Silver (df01) oil


Philip IV in Broun and Silver (df01)
Painting ID::  22543
Philip IV in Broun and Silver (df01)
c 1631-1632
c_1631-1632
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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