Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez The Surrender of Seville (df01) oil


The Surrender of Seville (df01)
Painting ID::  22554
The Surrender of Seville (df01)
Francisco de Zurbaran 1634 UK .coll His Grace The Duke of Westminster
   
   
     

Diego Velazquez Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mewa (df01) oil


Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mewa (df01)
Painting ID::  22555
Prince Baltasar Carlos with the Count-Duke of Olivares at the Royal Mewa (df01)
c 1636
c_1636
   
   
     

Diego Velazquez A White Horse (df01) oil


A White Horse (df01)
Painting ID::  22556
A White Horse (df01)
c 1634-1635
c_1634-1635
   
   
     

Diego Velazquez Philip IV as a Hunter (df01) oil


Philip IV as a Hunter (df01)
Painting ID::  22557
Philip IV as a Hunter (df01)
c 1632-1633
c_1632-1633
   
   
     

Diego Velazquez Prince Baltasar Carlos as a Hunter (df01) oil


Prince Baltasar Carlos as a Hunter (df01)
Painting ID::  22558
Prince Baltasar Carlos as a Hunter (df01)
1635-1636
1635-1636
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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