Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez St Anthony Abbot (df01) oil


St Anthony Abbot (df01)
Painting ID::  22580
St Anthony Abbot (df01)
1635-1638
1635-1638
   
   
     

Diego Velazquez St Anthony Abbot and St.paul the Hermit (df01) oil


St Anthony Abbot and St.paul the Hermit (df01)
Painting ID::  22581
St Anthony Abbot and St.paul the Hermit (df01)
1635-1638
1635-1638
   
   
     

Diego Velazquez Arachne (A Sibyl) (df01) oil


Arachne (A Sibyl) (df01)
Painting ID::  22582
Arachne (A Sibyl) (df01)
c 1644-1648
c_1644-1648
   
   
     

Diego Velazquez venus at her Mirror (df01) oil


venus at her Mirror (df01)
Painting ID::  22583
venus at her Mirror (df01)
c 1644-1648
c_1644-1648
   
   
     

Diego Velazquez Ignudi (df01) oil


Ignudi (df01)
Painting ID::  22584
Ignudi (df01)
Michelangelo 1508-1512
Michelangelo 1508-1512
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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