Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Copy of Titian's The Rape of Europa (df01) oil


Copy of Titian's The Rape of Europa (df01)
Painting ID::  22585
Copy of Titian's The Rape of Europa (df01)
peter Paul Rubens 1628 Madrid Museo del Prado
peter_Paul_Rubens 1628 Madrid_Museo_del_Prado
   
   
     

Diego Velazquez The Fable of Arachne (Las Hilanderas) (df01) oil


The Fable of Arachne (Las Hilanderas) (df01)
Painting ID::  22586
The Fable of Arachne (Las Hilanderas) (df01)
c 1644-1648
c_1644-1648
   
   
     

Diego Velazquez Infanta Maria Teresa (df01) oil


Infanta Maria Teresa (df01)
Painting ID::  22587
Infanta Maria Teresa (df01)
1648
1648
   
   
     

Diego Velazquez Infanta Maria Teresa (df01) oil


Infanta Maria Teresa (df01)
Painting ID::  22588
Infanta Maria Teresa (df01)
1651 x 1652
1651_x_1652
   
   
     

Diego Velazquez Juan de Pareja (detail) (df01) oil


Juan de Pareja (detail) (df01)
Painting ID::  22589
Juan de Pareja (detail) (df01)
1649-1650
1649-1650
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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