Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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Diego Velazquez The Feast of Bacchus oil


The Feast of Bacchus
Painting ID::  736 		The Feast of Bacchus
1628-29 Museo del Prado, Madrid
1628-29_ _Museo_del_Prado,_Madrid
   
   
     
Diego Velazquez Saint Anthony Abbot Saint Paul the Hermit oil


Saint Anthony Abbot Saint Paul the Hermit
Painting ID::  737 		Saint Anthony Abbot Saint Paul the Hermit
Museo del Prado, Madrid
Museo_del_Prado,_Madrid
   
   
     
Diego Velazquez Christ in the House of Martha and Mary oil


Christ in the House of Martha and Mary
Painting ID::  738 		Christ in the House of Martha and Mary
National Gallery, London
National_Gallery,_London
   
   
     
Diego Velazquez An Old Woman Cooking Eggs oil


An Old Woman Cooking Eggs
Painting ID::  739 		An Old Woman Cooking Eggs
1618 National Gallery, London
1618__ National_Gallery,_London
   
   
     
Diego Velazquez The Immaculate Conception oil


The Immaculate Conception
Painting ID::  740 		The Immaculate Conception
National Gallery, London, England
National_Gallery,_London,_England
   
   
     
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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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