Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez The Waterseller (df01) oil


The Waterseller (df01)
Painting ID::  22512
The Waterseller (df01)
c 1620
c_1620
   
   
     

Diego Velazquez Adoration of the Magi (df01) oil


Adoration of the Magi (df01)
Painting ID::  22513
Adoration of the Magi (df01)
1619
1619
   
   
     

Diego Velazquez St John at Patmos (detail) (df01) oil


St John at Patmos (detail) (df01)
Painting ID::  22514
St John at Patmos (detail) (df01)
c.1619
c.1619
   
   
     

Diego Velazquez A Young Man (detail) (df01) oil


A Young Man (detail) (df01)
Painting ID::  22515
A Young Man (detail) (df01)
1623-1624
1623-1624
   
   
     

Diego Velazquez St Ildefonso Receiving the Chasuble from the Virgin(detail) (df01) oil


St Ildefonso Receiving the Chasuble from the Virgin(detail) (df01)
Painting ID::  22516
St Ildefonso Receiving the Chasuble from the Virgin(detail) (df01)
c 1620
c_1620
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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