Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Infanta Margarita (df01) oil


Infanta Margarita (df01)
Painting ID::  22605
Infanta Margarita (df01)
c 1656
c_1656
   
   
     

Diego Velazquez Philip IV (detail) (df01) oil


Philip IV (detail) (df01)
Painting ID::  22606
Philip IV (detail) (df01)
1652-1655
1652-1655
   
   
     

Diego Velazquez Jan Arnolfini and his Wife,Jeanne Cenami (df01) oil


Jan Arnolfini and his Wife,Jeanne Cenami (df01)
Painting ID::  22607
Jan Arnolfini and his Wife,Jeanne Cenami (df01)
Jan Van Eyck 1434 London,The National Gallery
Jan_Van_Eyck 1434 London,The_National_Gallery
   
   
     

Diego Velazquez Allegorical Portrait of Philip IV (df01) oil


Allegorical Portrait of Philip IV (df01)
Painting ID::  22608
Allegorical Portrait of Philip IV (df01)
c 1645
c_1645
   
   
     

Diego Velazquez Las Meninas (after Velazquez,detail) (df01) oil


Las Meninas (after Velazquez,detail) (df01)
Painting ID::  22609
Las Meninas (after Velazquez,detail) (df01)
pablo Picasso 1957 Barcelona,Museu Picasso
pablo_Picasso 1957 Barcelona,Museu_Picasso
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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