Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Portrait of the Infante Don Carlos oil


Portrait of the Infante Don Carlos
Painting ID::  94817
Portrait of the Infante Don Carlos
1626 Type Oils cyf
1626_ Type_Oils_ cyf
   
   
     

Diego Velazquez Apollo in the Forge of Vulcan oil


Apollo in the Forge of Vulcan
Painting ID::  94818
Apollo in the Forge of Vulcan
1630 Type Oil on canvas Dimensions 223 cm x 290 cm cyf
   
   
     

Diego Velazquez Joseph s Tunic oil


Joseph s Tunic
Painting ID::  94820
Joseph s Tunic
1630 Type Oil on canvas cyf
1630_ Type_Oil_on_canvas_ cyf
   
   
     

Diego Velazquez Portrait of Maria Anna oil


Portrait of Maria Anna
Painting ID::  94821
Portrait of Maria Anna
1630 Type Oil on canvas Dimensions 58 cm x 44 cm cyf
1630_ Type_Oil_on_canvas_ Dimensions_58_cm_x_44_cm_ cyf
   
   
     

Diego Velazquez Portrait of Don Luis de Gongora oil


Portrait of Don Luis de Gongora
Painting ID::  94824
Portrait of Don Luis de Gongora
1622(1622) Medium oil on canvas Dimensions 40.5 x 50.3 cm (15.9 x 19.8 in) cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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