Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Jester Barbarroja oil


Jester Barbarroja
Painting ID::  94845
Jester Barbarroja
1637-1640 Type Oil on canvas Dimensions 200 cm x 121.5 cm cyf
   
   
     

Diego Velazquez Mars Resting oil


Mars Resting
Painting ID::  94846
Mars Resting
1640 Type Oil on canvas Dimensions 179 cm x 95 cm cyf
   
   
     

Diego Velazquez Coronation of the Virgin oil


Coronation of the Virgin
Painting ID::  94847
Coronation of the Virgin
1641-1644 Type Oil on canvas Dimensions 176 cm x 124 cm cyf
   
   
     

Diego Velazquez Jester Don Diego de Acedo oil


Jester Don Diego de Acedo
Painting ID::  94848
Jester Don Diego de Acedo
1645 Type oil on canvas Dimensions 106 cm x 83 cm cyf
   
   
     

Diego Velazquez Portrait of Francisco Lezcano oil


Portrait of Francisco Lezcano
Painting ID::  94849
Portrait of Francisco Lezcano
1643-1645 Type Oil on canvas Dimensions 106 cm x 83 cm cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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