Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Prince Felipe Prospero (df01) oil


Prince Felipe Prospero (df01)
Painting ID::  22615
Prince Felipe Prospero (df01)
1659
1659
   
   
     

Diego Velazquez Velazquez et la Famille royale ou Les Menines (detail) (df02) oil


Velazquez et la Famille royale ou Les Menines (detail) (df02)
Painting ID::  22616
Velazquez et la Famille royale ou Les Menines (detail) (df02)
1656-1657
1656-1657
   
   
     

Diego Velazquez La Reddition de Breda ou Les Lances (detail) (df02) oil


La Reddition de Breda ou Les Lances (detail) (df02)
Painting ID::  22617
La Reddition de Breda ou Les Lances (detail) (df02)
1634-1635
1634-1635
   
   
     

Diego Velazquez Trois Musiciens (df02) oil


Trois Musiciens (df02)
Painting ID::  22618
Trois Musiciens (df02)
1617-1618 Musical Trio Drei Musikanten 87 x 110 cm
1617-1618 Musical_Trio Drei_Musikanten 87_x_110_cm
   
   
     

Diego Velazquez Trois Hommes a table (df02) oil


Trois Hommes a table (df02)
Painting ID::  22619
Trois Hommes a table (df02)
c 1618 Three Men at Table Drei Manner am Tisch 108.5 x 102 cm
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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