Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Portrait d'une dame (df02) oil


Portrait d'une dame (df02)
Painting ID::  22646
Portrait d'une dame (df02)
c 1625 Portrait of a Lady Portrat einer Frau 32 x 24 cm
c_1625 Portrait_of_a_Lady Portrat_einer_Frau 32_x_24_cm
   
   
     

Diego Velazquez Le Comte-Duc d'Olivares (df02) oil


Le Comte-Duc d'Olivares (df02)
Painting ID::  22647
Le Comte-Duc d'Olivares (df02)
1622-1627 Count-Duke of Olivares Conde Duque de Olivates 216 x 129 cm
   
   
     

Diego Velazquez Tete de Cerf (df02) oil


Tete de Cerf (df02)
Painting ID::  22648
Tete de Cerf (df02)
1626-1627 Head of a Stag Hirschkopf 58 x 44.5 cm
1626-1627 Head_of_a_Stag Hirschkopf 58_x_44.5_cm
   
   
     

Diego Velazquez Portrait d'homme (df02) oil


Portrait d'homme (df02)
Painting ID::  22649
Portrait d'homme (df02)
1626-1628 Portrait of a Man Portrat eines Mannes 104 x 79 cm
   
   
     

Diego Velazquez Le christ et I'ame chretienne (df02) oil


Le christ et I'ame chretienne (df02)
Painting ID::  22650
Le christ et I'ame chretienne (df02)
1626-1628 Christ and the Christian Soul Christus und die christliche Seele 165.1 x 206.4 cm
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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