Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Christ in the House of Martha and Mary oil


Christ in the House of Martha and Mary
Painting ID::  33641
Christ in the House of Martha and Mary
mk86 1618 Oil on canvas 60x103.5cm London,National Gallery
   
   
     

Diego Velazquez Los Borrachos oil


Los Borrachos
Painting ID::  33642
Los Borrachos
mk86 1628/29 Oil on canvas 165.5x227.5cm Madrid,Museum del Prado
   
   
     

Diego Velazquez The Surrender of Breda oil


The Surrender of Breda
Painting ID::  33643
The Surrender of Breda
mk86 1634/35 Oil on canvas 307.5x370.5cm Madrid,Museo del Prado
   
   
     

Diego Velazquez Prince Baltassar Carlos,Equestrian oil


Prince Baltassar Carlos,Equestrian
Painting ID::  33644
Prince Baltassar Carlos,Equestrian
mk86 c.1634/35 Oil on canvas 209.5x174cm Madrid,Museo del Prado
   
   
     

Diego Velazquez A Dwarf Sitting on the Floor oil


A Dwarf Sitting on the Floor
Painting ID::  33645
A Dwarf Sitting on the Floor
mk86 c.1645 Oil on canvas 106.5x81.5cm Madrid,Museo del Prado
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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