Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Venus at her Mirror oil


Venus at her Mirror
Painting ID::  33646
Venus at her Mirror
mk86 c.1644-1648 Oil on canvas 122.5x177cm London,National Gallery
   
   
     

Diego Velazquez Las Meninas oil


Las Meninas
Painting ID::  33647
Las Meninas
mk86 1656/57 Ol on canvas 318x276cm Madrid,Museo del Prado
   
   
     

Diego Velazquez Die Ubergabe von Breda.Ausschnitt:Die Beiden Feldherren oil


Die Ubergabe von Breda.Ausschnitt:Die Beiden Feldherren
Painting ID::  34353
Die Ubergabe von Breda.Ausschnitt:Die Beiden Feldherren
mk921634/5 Madrid Prado
mk921634/5 Madrid Prado
   
   
     

Diego Velazquez Die Ubergabe von Breda.Gesamtbild oil


Die Ubergabe von Breda.Gesamtbild
Painting ID::  34354
Die Ubergabe von Breda.Gesamtbild
mk92 307x367cm
mk92 307x367cm
   
   
     

Diego Velazquez Las Meninas.Die Hoffraulein oil


Las Meninas.Die Hoffraulein
Painting ID::  34355
Las Meninas.Die Hoffraulein
mk92 1656 318x276cm Madrid Prado
mk92 1656 318x276cm Madrid Prado
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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