Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Christ in the House of Mary and Marthe oil


Christ in the House of Mary and Marthe
Painting ID::  40414
Christ in the House of Mary and Marthe
mk156 1618 Oil on canvas 60x103.5cm
mk156 1618 Oil_on_canvas 60x103.5cm
   
   
     

Diego Velazquez The Drunkards oil


The Drunkards
Painting ID::  40435
The Drunkards
mk156 1629 Oil on canvas 165x227cm
mk156 1629 Oil_on_canvas 165x227cm
   
   
     

Diego Velazquez The Surrender of Breda oil


The Surrender of Breda
Painting ID::  40439
The Surrender of Breda
mk156 c.1634 Oil on canvas 307x367cm
mk156 c.1634 Oil_on_canvas 307x367cm
   
   
     

Diego Velazquez The Toilet of Venus oil


The Toilet of Venus
Painting ID::  40472
The Toilet of Venus
mk156 1647-51 Oil on canvas 122.5x177cm
mk156 1647-51 Oil_on_canvas 122.5x177cm
   
   
     

Diego Velazquez Las Meninas oil


Las Meninas
Painting ID::  40482
Las Meninas
mk156 1656 Oil on canvas 318x276cm
mk156 1656 Oil_on_canvas 318x276cm
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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