Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Tochter Philipps IV oil


Tochter Philipps IV
Painting ID::  79274
Tochter Philipps IV
after 1655(1655) Medium Oil on canvas Dimensions 14 x 12 cm (5.5 x 4.7 in) cyf
   
   
     

Diego Velazquez Portrat der Infantin Margarita als junges Madchen oil


Portrat der Infantin Margarita als junges Madchen
Painting ID::  79280
Portrat der Infantin Margarita als junges Madchen
1659(1659) Medium Oil on canvas Dimensions 212 x 147 cm (83.5 x 57.9 in) cyf
   
   
     

Diego Velazquez Retrato de la infanta Margarita oil


Retrato de la infanta Margarita
Painting ID::  79310
Retrato de la infanta Margarita
. 1653(1653) Medium Oil on canvas Dimensions 70 x 59 cm (27.6 x 23.2 in) cyf
   
   
     

Diego Velazquez Tochter Philipps IV oil


Tochter Philipps IV
Painting ID::  79328
Tochter Philipps IV
1655(1655) Medium Oil on canvas Dimensions 70 x 59 cm (27.6 x 23.2 in) cyf
   
   
     

Diego Velazquez Portrat des Infanten Philipp Prosper oil


Portrat des Infanten Philipp Prosper
Painting ID::  79557
Portrat des Infanten Philipp Prosper
1659(1659) Medium Oil on canvas Dimensions 129 x 99 cm (50.8 x 39 in) cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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