Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Nahende Frau oil


Nahende Frau
Painting ID::  86789
Nahende Frau
Date c. 1650(1650) Medium Oil on canvas Dimensions 74 x 60 cm cjr
   
   
     

Diego Velazquez Juan Mateos oil


Juan Mateos
Painting ID::  87302
Juan Mateos
. 1634(1634) Medium Oil cyf
._1634(1634) _ Medium_Oil _ cyf
   
   
     

Diego Velazquez Portrat des Dichters Luis de Gongora y Argote oil


Portrat des Dichters Luis de Gongora y Argote
Painting ID::  87316
Portrat des Dichters Luis de Gongora y Argote
1622(1622) Medium Oil on canvas Dimensions 40.5 x 50.3 cm (15.9 x 19.8 in) cyf
   
   
     

Diego Velazquez Asop oil


Asop
Painting ID::  87319
Asop
1639-1640 Medium Oil on canvas Dimensions Deutsch: 179,5 x 94 cm cyf
   
   
     

Diego Velazquez Kind des Vallecas oil


Kind des Vallecas
Painting ID::  87383
Kind des Vallecas
1643-1645 Medium Oil on canvas Dimensions Deutsch: 107,5 x 83,5 cm cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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