Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez De overgave van Breda oil


De overgave van Breda
Painting ID::  92786
De overgave van Breda
1634-1635 Medium oil on canvas Dimensions Deutsch: 307 X 367 cm cjr
   
   
     

Diego Velazquez Philip IV. in Brown and Silver oil


Philip IV. in Brown and Silver
Painting ID::  93308
Philip IV. in Brown and Silver
circa from 1631(1631) until 32(0032) Medium Oil Dimensions 199,5 x 113 cm cjr
   
   
     

Diego Velazquez El Conde-Duque de Olivares oil


El Conde-Duque de Olivares
Painting ID::  93613
El Conde-Duque de Olivares
1638(1638) Medium oil on canvas cjr
1638(1638) _ Medium_oil_on_canvas _ cjr
   
   
     

Diego Velazquez Portrait of Maria Teresa of Austria oil


Portrait of Maria Teresa of Austria
Painting ID::  93675
Portrait of Maria Teresa of Austria
Date 1652-1653 Medium oil on canvas Dimensions 127 x 99 cm (50 x 39 in) TTD
   
   
     

Diego Velazquez Adoration of the Magi oil


Adoration of the Magi
Painting ID::  94799
Adoration of the Magi
1619 Type Oil on canvas Dimensions 204 cm x 126.5 cm (80 in x 49.8 in) cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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