Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet


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Diego Velazquez Lunch oil


Lunch
Painting ID::  94809
Lunch
c. 1617 Type Oil on canvas Dimensions 127 cm x 120 cm cyf
   
   
     

Diego Velazquez San Pablo oil


San Pablo
Painting ID::  94811
San Pablo
1618-1620 Type Oil on canvas Dimensions 99 cm x 78 cm cyf
   
   
     

Diego Velazquez La mulata oil


La mulata
Painting ID::  94813
La mulata
1618-22 Type oil on canvas Dimensions 104.5 cm x 55 cm cyf
   
   
     

Diego Velazquez Portrait of Philip IV in Armour oil


Portrait of Philip IV in Armour
Painting ID::  94814
Portrait of Philip IV in Armour
1623 Type Oil on canvas Dimensions 57 cm x 44 cm cyf
1623_ Type_Oil_on_canvas_ Dimensions_57_cm_x_44_cm__ cyf
   
   
     

Diego Velazquez Portrait of the Count Duke of Olivares oil


Portrait of the Count Duke of Olivares
Painting ID::  94815
Portrait of the Count Duke of Olivares
1624 Type oil on canvas Dimensions 206 cm x 106 cm cyf
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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