Domenico Beccafumi

c1486-1551 Domenico Beccafumi Gallery Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.
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Domenico Beccafumi Fall of the Rebel Angels oil


Fall of the Rebel Angels
Painting ID::  86492 		Fall of the Rebel Angels
Date c. 1528(1528) Medium Oil on wood Dimensions Height: 347 cm (136.6 in). Width: 225 cm (88.6 in). cjr
   
   
     
Domenico Beccafumi Moses and the Golden Calf oil


Moses and the Golden Calf
Painting ID::  86620 		Moses and the Golden Calf
Date between 1536(1536) and 1537(1537) Medium Oil on wood Dimensions Height: 197 cm (77.6 in). Width: 139 cm (54.7 in). cjr
   
   
     
Domenico Beccafumi Birth of the Virgin oil


Birth of the Virgin
Painting ID::  87508 		Birth of the Virgin
1543(1543) Medium Oil on wood cyf
1543(1543) _ Medium_Oil_on_wood _ cyf
   
   
     
Domenico Beccafumi Tanaquil oil


Tanaquil
Painting ID::  89151 		Tanaquil
1519(1519) Medium oil on wood cyf
1519(1519) _ Medium_oil_on_wood _ cyf
   
   
     
Domenico Beccafumi Trinity oil


Trinity
Painting ID::  89315 		Trinity
1513(1513) Medium oil on wood cyf
1513(1513) _ Medium_oil_on_wood _ cyf
   
   
     
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     Domenico Beccafumi
     c1486-1551 Domenico Beccafumi Gallery Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.

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